davinci resolve color grading censorship

Once you’ve fully reviewed the cuts, you’ll want to go down to the bottom right of the screen and click “Add Cuts to Media Pool”. That way subtle changes don’t confuse Resolve into making a cut. This is why 30% is a good threshold for cuts. In our example, you can see that those gray lines are a result of shooting our video directly into the sun, and the changes come from the sun going in and out of the frame. You can use the left and right arrows to tab through those gray lines. Those gray lines indicate that Resolve has noticed a difference, but hasn’t made a cut. Move down to the bottom section of your screen and take a look at the little gray lines. Step 5: Review the Cuts Resolve Didn’t Make

Normally you would want to import the video into the program, but in this case, since we’re working with a flattened video file here, we’re going to right-click the video and go to “Scene Cut Detection.” which is where all of the work will be done. Then you’ll want to navigate to your video file in the media browser and select the video you’re working on. Naturally, you can’t work on a video if there’s no video! Start off by going down to the media tab on the bottom left hand of the screen. It’s quick, it’s simple, and it’s all outlined below! You can follow this step by step process even if you don’t have access to the original project file or the raw media. But of course, at Digital Spark Studios, we like to our clients a little peek behind the curtain of what goes into our post-production process, so below, we’re detailing exactly how you can color grade any video in Davinci Resolve.

Using Davinci Resolve might seem like a daunting task but rest assured it’s a completely attainable goal, as long as you have a little bit of patience and are willing to mess around a bit.

Davinci resolve color grading censorship